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Audiences of Nazism : using media in the Third Reich / Ulrike Weckel.

Współtwórca(-y): Rodzaj materiału: TekstSerie: New German historical perspectives ; vol 13Szczegóły wydania: New York ; Oxford : Berghahn Books , 2024.Opis: [XII], 290 stron : ilustracje ; 24 cmTyp zawartości:
  • text
Tryb odtwarzania:
  • unmediated
Typ nośnika:
  • volume
ISBN:
  • 9781805390992
Inny tytuł:
  • Using media in the Third Reich
Klasyfikacja LOC: Streszczenie: "Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences' responses, the contributions to Audiences of Nazism critically approach the effectiveness of the Nazi media. The volume presents a comprehensive array of case studies including, but not limited to, Jewish responses to anti-Semitic media, personal reports from Nazi party rallies, responses to "degenerate art" exhibitions, and the afterlife of visual documentations of Nazi crimes. It uncovers the target groups of certain Nazi media products; how effective these products were in disseminating propaganda; and their chances to win over readers, listeners, and spectators not yet convinced of Nazism"--
Typ dokumentu: Książki
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Obecna biblioteka Sygnatura Status Kod kreskowy
Biblioteka Instytutu Solidarności i Męstwa im. W. Pileckiego D810.P7 G3147 2024 (Przeglądaj półkę(Otwórz poniżej)) Dostępny 00016559

Includes bibliographical references and index.

"Traces of audience responses to propaganda in the Third Reich are particularly sparse given that the public sphere was so highly regulated. By taking an interdisciplinary and innovative approach to found historical sources of audiences' responses, the contributions to Audiences of Nazism critically approach the effectiveness of the Nazi media. The volume presents a comprehensive array of case studies including, but not limited to, Jewish responses to anti-Semitic media, personal reports from Nazi party rallies, responses to "degenerate art" exhibitions, and the afterlife of visual documentations of Nazi crimes. It uncovers the target groups of certain Nazi media products; how effective these products were in disseminating propaganda; and their chances to win over readers, listeners, and spectators not yet convinced of Nazism"--

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