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Widok standardowy Widok MARC Widok ISBD

East German film and the Holocaust Elizabeth Ward

Autor: Rodzaj materiału: TekstJęzyk: angielski Serie: Film Europa ; volume 22Szczegóły wydania: Oxford : Berghahn Books, 2024.Wydanie: Paperback editionOpis: 264 SeitenTyp zawartości:
  • Text
Tryb odtwarzania:
  • ohne Hilfsmittel zu benutzen
Typ nośnika:
  • Band
ISBN:
  • 9781805391456
Klasyfikacja LOC: Streszczenie: Zusammenfassung: East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.
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Egzemplarze
Obecna biblioteka Sygnatura Status Kod kreskowy
Biblioteka Instytutu Solidarności i Męstwa im. W. Pileckiego 18376 (Przeglądaj półkę(Otwórz poniżej)) Dostępny 00018376

Filmografie: Seite 222-224

Literaturverzeichnis: Seite 225-238

Enthält Literaturangaben

Zusammenfassung: East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.

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